Dr. Michael Bovenzi teaches saxophone and serves as an instructor in music theory, computer music applications, woodwind courses and chamber music at the University of North Florida. He holds the position of Associate Professor.
As an educator, Dr. Bovenzi believes in active and engaged learning, in which students are involved in the musical decision-making process and will understand the components that make up an informed and meaningful performance. As a result, his students have won concerto competitions, MTNA events, principle chairs in All-State bands, and have had success at the graduate level. They have also successfully performed in masterclasses for important saxophone pedagogues including Claude Delangle, Dr. Fred Hemke, Jean-Michel Goury, Arno Bornkamp, Debra Richtmeyer, and Joe Lulloff. As a performer, Dr. Bovenzi is an active soloist of contemporary music and has performed and premiered numerous works at national meetings of the North American Saxophone Alliance (NASA) and the Society for Electro-Acoustic Music in the United States (SEAMUS). His studio recording of Ed Martin’s Apparitions appears on the compact disc Wavefields, a compilation of music from the Experimental Music Studios of the University of Illinois, Urbana-Champaign. Other recordings include two works by composer Gary Smart to be released on the Albany Records label, and his own debut recording to be completed later this year.Dr. Bovenzi has performed in Bangkok, Thailand, at Mahidol University for the 15th meeting of the World Saxophone Congress. He also hosted the 2011 Region 6 conference for NASA at the University of North Florida. Recent performances included premiering works at the NASA Biennial Conference in Tempe, Arizona, and at World Saxophone Congress XVI in St. Andrews, Scotland. His renowned teachers have included Debra Richtmeyer, Jonathan Helton, and Joe Lulloff. Dr. Bovenzi holds the Doctorate in Performance and Literature from the University of Illinois, Urbana-Champaign, with a minor in music theory. He earned his undergraduate degrees in Music Performance and Composition with honors, and a Masters degree in Music Performance from the University of Florida.
Contact: (904) 620-3846 - firstname.lastname@example.org
Ann Adams recently joined the faculty at the University of North Florida where she teaches applied oboe and chamber music. In addition, she is on the music faculty at LaVilla School of the Arts as a band director. Dr. Adams is an active recitalist and clinician and has appeared as a soloist with the Stetson University Wind Ensemble, the Bach Festival Orchestra of Winter Park, the Florida State University Wind Orchestra and the Bach Festival Society of Kalamazoo. She is a frequent performer with various orchestras and chamber ensembles throughout central Florida. Dr. Adams has participated in the French Oboe Repertoire classes with Wayne Rapier and John DeLancie. She is an active member of the International Double Reed Society. She has performed recitals for IDRS Conferences in Buenos Aires, Argentina, Melbourne, Australia, Muncie, Indianaand Birmingham, England. In addition, as a Baroque oboist, Dr. Adams has participated in the Baroque Performance Institute at Oberlin College and the Western Baroque Festival in Seattle, Washington. Dr. Adams taught oboe, chamber music, and music education at Stetson University for twenty-five years.
Contact: (904) 620-2960 - email@example.com
Dr. Gordon R. Brock is Professor of Music and Director of Bands at the University of North Florida’s School of Music in Jacksonville, Florida, where he conducts the Wind Symphony, instructs courses in conducting and woodwind performance and coordinates the UNF Conducting Symposium. Earning his B.S.E. from Dickinson State University, M.M. from Michigan State University, and D.M.A. from the University of Colorado-Boulder, Dr. Brock’s career as a music educator encompasses elementary through university levels.
Under Dr. Brock’s leadership as chair (2002-12), the Department of Music was awarded an elite flagship designation (Music Flagship Program) and emerged as a program of prominence recognized throughout the region for its renowned faculty, dedication to student learning, and engagement with the community as it continues to garner recognition as one of the fastest growing and leading performance-based programs in the country. Under Dr. Brock’s direction, the UNF Wind Symphony has performed at prestigious events and venues including the annual Upbeat Pink: A Musical Tribute to Breast Cancer Survivorship concert series in collaboration with the Mayo Clinic, the Florida Music Educators Association State Conference, Carnegie Hall, and Alice Tully Hall-Lincoln Center. Before joining UNF, Dr. Brock was Director of Bands at the University of North Dakota, conductor of the Greater Grand Forks Youth Symphony, and the Grand Forks Chamber Ensemble. Under his direction, the UND Wind Ensemble performed at two North Dakota Music Educators Conferences, the Ohio Music Education Association/North Central MENC Professional Conference, and a joint concert series in Great Britain with the Central Band of the White Russian Army. In addition to an annual CD project dedicated to recording the best in traditional and contemporary wind literature, Dr. Brock instituted an annual Conducting Symposium, which attracted both regional and international participants. Having been twice honored by the Alberta Provincial Government for his nationally recognized ensembles and contributions to music education throughout Canada, Dr. Brock was also included in the fifth edition of “Who’s Who Among America’s Teachers.” He has served as a guest conductor and clinician throughout the United States and Canada, including Japan and Israel. In 2006, he was acknowledged as a Distinguished Alumnus of Dickinson State University and as the UNF Gerson Yessin Professor (2010-12). Dr. Brock has performed with a broad spectrum of internationally recognized organizations within the mediums of chamber music, jazz, wind band, theater, dance, and orchestra. He is a member of the College Band Directors National Association (state chair, 2003-2005), Pi Kappa Lambda, Phi Beta Mu, National Association for Music Education, Florida Bandmasters Association, National Band Association, and the World Association for Symphonic Bands and Ensembles. A chapter contributor to the newly released GIA publication, The Art of Interpretation of Band Music, Dr. Brock continues to serve as a Research Associate and author for the instrumental music education series Teaching Music through Performance in Band, a series that now serves as a primary text in more than 300 universities in the United States and 20 countries.
Contact: (904) 620-3832 - firstname.lastname@example.org
Rhonda Cassano has been a member of the Jacksonville Symphony Orchestra since 1979, is currently the Professor of Flute at the University of North Florida, and has served as Professor of Flute at Jacksonville University. Cassano is an active recitalist and chamber musician, founder of "Sound Effects: Music at MOCA," Synergy Chamber Ensemble, the St. Johns Chamber Players, and the St. Mark's Bach Ensemble and has appeared as a soloist with the Jacksonville Symphony on numerous occasions. Cassano holds a Master of Music degree from Florida State University where she studied with Charlie DeLaney. In subsequent years she studied with Geoffrey Gilbert, former principal flutist with the Royal Philharmonic under Sir Thomas Beecham, and in master classes with the acclaimed British flutist and former solo flutist with St. Martin in the Fields, William Bennett.
In 1987 and 2000, Cassano was a winner of the National Flute Association's newly published music performer’s competition, and has appeared several times as soloist at the NFA conventions. She was awarded an artist-fellow to the 1989 Bach Aria Festival and has participated in the Amelia Island Chamber Music Festival and the Colorado Music Festival.Cassano is a trained Andover Educator and teacher of Body Mapping, a system developed to help musicians perform with efficient, graceful, coordinated, and effective movement.
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Classical flutist, Gia Sastre has spent many years performing as a freelance soloist, chamber musician and orchestral player. Notable solo engagements have included recitals at Preston Bradley Hall in the Chicago Cultural Center, the Art Institute of Chicago and the Friday Musicale of Jacksonville. Recent concerts include the Music @ Main Intermezzo Series, Riverside Fine Arts, the Ponte Vedra Library Series and Riverside Presbyterian’s Wednesday Happenings. As a chamber musician, Ms. Sastre has appeared with numerous ensembles including Chicago’s CUBE ensemble, Accessible Contemporary Music, the Seram Flute Quartet, the Elgin Opera Ensemble and the Chamber Music Society of the Good Shepherd. For many years, she performed with Chicago harpist AnnLaura Tapia as part of Abellimento Flute & Harp duo. Their recording, Abellimento, a collection of flute and harp classics is available on Pandora and iTunes. Ms. Sastre currently performs as part of the Vivace Trio, a Jacksonville-based two flute and piano ensemble. As an orchestral player, she has had the opportunity to perform and substitute with many orchestras, most recently the Jacksonville Symphony Orchestra and the Coastal Symphony of Georgia. As an educator, Ms. Sastre works with many dedicated and talented students through her private studio and at the University of North Florida. Previously, she served as flute faculty for the DePaul University Community Music Program in Chicago. Ms. Sastre has presented recitals and masterclasses at Florida State University, Emory, DePaul and St. Xavier University and has helped to present the Annual UNF Flute Day. She is a current member of the Florida Flute Association and Jax Flutes as well as member and Farwell Award winner of the Musicians Club of Women. Originally from Miami, Fla., Ms. Sastre holds a Master of Music in Flute Performance from DePaul University in Chicago, where she studied with Mary Stolper and a Bachelor of Music in performance from Florida State University, studying under Charles Delaney and Eva Amsler. Ms. Sastre also traveled to Great Britain to pursue a resident course of study with Paul Edmund-Davies, then principal flutist of the London Symphony Orchestra.
Contact: (904) 620-2961 - firstname.lastname@example.org
Committed to the advancement of the next generation of clarinetists, Sunshine Simmons has received accolades as a performer throughout the country. Comfortable with the entire range of instruments in the clarinet family, her positions include Principal Clarinet with the Oregon Ballet Theatre, Bass Clarinet with the New Mexico Philharmonic, E-flat Clarinet with the Kalamazoo Symphony Orchestra and Clarinet with Chicago Philharmonic. She has also performed with the symphony orchestras of Chicago, Milwaukee, Grant Park and Detroit, as well as the Lyric Opera of Chicago, Santa Fe Opera, and Chicago Opera Theater.
Sunshine’s chamber music activities have included performances with the Santa Fe Chamber Music Festival, 8th blackbird, International Chamber Artists, Present Music, Santa Fe New Music and Chatter. Festival involvement has included the Aspen Music Festival, the Spoleto Festival USA and the Frutillar Music Festival in Chile. Sunshine has also performed at the Ravinia Music Festival and the Winter Chamber Music Festival in Chicago.As a soloist, Sunshine was featured in the Chicago premier of Alan Shulman’s Rendevous for Clarinet and String Orchestra. She also performed the Clarinet Concerto by Aaron Copland for a live radio broadcast in Cluj, Romania with the Cluj Camerata.Dr. Simmons holds a Bachelor of Music degree from Carnegie Mellon University. She received Master of Music and Doctor of Music degrees from Northwestern University. Her principal teachers were J. Lawrie Bloom, Steve Cohen and Thomas Thompson.
Contact: (904) 620-1757 - email@example.com
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