Areas of Expertise
Film Theory, Gender Studies, Philosophy, Queer Theory, Autobiography
University of Minnesota 2004 PhD (Comparative Studies in Discourse and Society)
University of Minnesota 1999 MA (Comparative Studies in Discourse and Society)
Bard College 1997 BA (Literature, Gender Studies)
Simon’s Rock College of Bard 1995 AA
Editorial board member of the journal SCREEN BODIES.
Editorial board member of the journal BARTHES STUDIES.
2013 Opacity and the Closet (book) awarded Choice Outstanding Academic Title
Modern Language Association, Society for Cinema and Media Studies, Asian Cinema Studies Society
Grants and Contracts Awarded
2016 Florida Blue Ethics Fellow
UNF International Faculty Travel Grant (for travel to China, Summer 2011), 2010
Publications & Presentations
2012 Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol. Minneapolis: University of Minnesota Press; reviewed in Lambda Literary, New Books in Critical Theory, French Studies, H-France Review, Lambda Nordica, and Modern & Contemporary France; awarded Choice Outstanding Academic Title.
Refereed Journal Articles:
2015 “Incorporating the Medical Gaze in Queer and Transgender Life Writing.” The Writing Instructor, “Queer and Now” special issue. twitest/de-villiers-2015-03>.
2015 “Afterthoughts on Queer Opacity.” InVisible Culture: An Electronic Journal for Visual Culture. April 18. .
2013 “Spatial and Sexual Disorientation in the Films of Tsai Ming-liang.” International Academic Forum Journal of Literature & Librarianship 2.1: 67–76.
2012 “RuPaul’s Drag Race as Meta-Reality Television.” Jump Cut: A Review of Contemporary Media 54: n. pag. Web.
2011 “Queer Memoir, Queer Space: Samuel R. Delany’s Times Square Red, Times Square Blue.” Transformations 21.2: 96–108. Print.
2011 “‘Chinese Cheers’: Hou Hsiao-hsien and Transnational Homage.” Senses of Cinema 58: n. pag. Web. .
2009 “Confessions of a Masked Philosopher: Anonymity and Identification in Foucault and Guibert.” Symploke 16.1–2: 75–91. Print.
2009 “Documentary and the Anamnesis of Queer Space: The Polymath, or, The Life and Opinions of Samuel R. Delany, Gentleman.” Jump Cut: A Review of Contemporary Media 51: n. pag. Web.
2008 “Leaving the Cinema: Metacinematic Cruising in Tsai Ming-liang’s Goodbye, Dragon Inn.” Jump Cut: A Review of Contemporary Media 50: n. pag. Web.
2007 “We Are the World Cinema: Chacun son cinéma.” Senses of Cinema 45: n. pag. Web.
2007 “Glancing, Cruising, Staring: Queer Ways of Looking.” Bright Lights Film Journal 57: n. pag. Web.
2007 “How Much Does it Cost for Cinema to Tell the Truth of Sex? Cinéma vérité and sexography.” Sexualities 10.3: 341–61. Print.
2007 “‘The vanguard—and the most articulate audience’: Queer Camp, Jack Smith and John Waters” (Guest article). Forum 4: n. pag. Web.
2005 “Unseen Warhol/Seeing Barthes.” Paragraph: A Journal of Modern Critical Theory 28.3: 21–35. Print.
2004 “The Retrospective Closet-effect: Jean Cocteau and Roland Barthes.” French Studies Bulletin (FSB) 1.93: 14–20. Print.
2004 “The Reception of Roland Barthes: The Question of the Closet.” FSB 1.92: 17–21. Print.
2011 “Metahorror: Sequels, ‘The Rules,’ and the Metareferential Turn in Contemporary Horror Cinema.” The Metareferential Turn: Forms, Functions, Attempts at Explanation. Ed. Werner Wolf. Amsterdam/New York: Rodopi. 357–77. Print.
2014 “Writing Toward a Book on Proust.” Rev. of Eve Kosofsky Sedgwick’s The Weather in Proust. Cultural Critique 85 (2014): 221–27.
2012 “Love in a Hopeless Place.” Rev. of Lauren Berlant’s Cruel Optimism. Cultural Critique 82. 195–202. Print.
2010 Review of David M. Halperin’s What Do Gay Men Want? An Essay on Sex, Risk, and Subjectivity. Sexualities 13.1: 126–27. Print.
2007 “Queer Archives.” Rev. of Judith Halberstam’s In a Queer Time & Place: Transgender Bodies, Subcultural Lives. Cultural Critique 66: 179–83. Print.
2005 “A Great ‘Pedagogy’ of Nuance: Roland Barthes’s The Neutral.” Theory & Event 8.4: n. pag. Web.
2017 “Readymade Mao: Impersonation and Affective Relations” (co-authored with Yongan Wu). Positions: Asia Critique (accepted).
Manuscripts in Preparation:
2017 Sexography: Sex Work in Documentary (under contract at University of Minnesota Press).
2014 “Ruvisionary History,” DirtyLooksNYC.org in conjunction with Linda Simpson’s “The Drag Explosion—Expanded!” .
2012 “That’s the Surprise: Tom Rubnitz’s Sexy, Wiggy, Desserty World.” Dirty Looks/Video Data Bank: n. pag. Web. .
2012 “The Amicable Return of Roland Barthes.” University of Minnesota Press Blog: n. pag. Web. .
2015 “Sex Work and Cinéma Vérité,” University of South Florida Department of Humanities and Cultural Studies, Tampa, FL, October 23.
2014 “I see language: Gray Sex,” The Sexuality of Words symposium and Art=Text=Art: Private Languages/Public Systems exhibition, University of Buffalo, NY, November 8.
2012 “Queer Performativity, Excitable Speech, and Collecting,” Brog Blegen: Coming Out Party exhibition, Minneapolis Institute of Arts, Minneapolis, MN, December 20.
2012 “International Perspectives on the Sixth/Urban Generation Filmmakers and Contemporary Chinese Documentary,” Department of Chinese Language and Literature, Beijing Normal University, Beijing, China, May 24.
2014 “The Pleasures and Perils of Home: Queering Domesticity, Rethinking Privacy,” American Studies Association, Los Angeles, CA, November 6.
2012 “Queer Ephemera, Queer Archives” (co-chaired with Tom Roach), Cultural Studies Association, University of California, San Diego, March 28–April 1.
2016 “The Videomaker and the Rent Boy: Gay-for-pay Confessional in 101 Rent Boys and Broke Straight Boys TV,” Society for Cinema and Media Studies, Atlanta, GA, March 30–April 3.
2015 “Migrant Sex Workers in the Films of Jia Zhangke and Cui Zi’en,” Gender and Change: Transcending Boundaries, Chinese University of Hong Kong, December 8–9.
2015 “Live Nude Girls, Unite! The Work of Sex Work and Documentary,” COST ProsPol Troubling Prostitution: Exploring Intersections of Sex, Intimacy, and Labour Conference, Vienna, Austria, April 16–18.
2015 “The Photographic Message of Incidents (2010): Barthes and Orientalism,” Barthes at 100, University of Cardiff, Cardiff, Wales, March 30–31.
2014 “Cosmopolitan Auteurs: Tsai Ming-liang, Hou Hsiao-hsien, and Wong Kar-wai’s French Films,” 11th Asian Cinema Studies Society International Conference: Post-Asia Film, Media, and Popular Culture, University of Macau, Macau SAR, China, July 14–16.
2014 “Love Meetings: Pasolini and Foucault,” 5th Etnografia e Ricerca Qualitativa (Ethnography and Qualitative Research) Conference, Bergamo, Italy, June 5–7.
2014 “Intimately Shared Queer and Sex Worker Histories, Spaces, and Activism,” 7th Annual DC Queer Studies Symposium, University of Maryland College Park, April 25.
2014 “Shifts in Trans* Media,” Florida Collegiate Pride Coalition conference, University of North Florida, Jacksonville, FL, March 29.
2013 “Disorder and Excavating the Future from the Past” (co-authored with Yongan Wu), virtual presentation [video recording] at FilmAsia 2014: Second Asian Conference on Film and Documentary, Osaka, Japan, November 8–10; presented live at UNF English Graduate Association conference, November 6, Jacksonville, Florida.
2013 “Sexography: Sex Work and Cinéma Vérité,” 9th annual International Association for the Study of Sexuality, Culture and Society (IASSCS) conference, Buenos Aires, Argentina, August 28–31.
2013 “Writing Toward a Book on/in Proust: Late Roland Barthes and Eve Kosofsky Sedgwick,” The Renaissance of Roland Barthes, CUNY Grad. Center, April 25–26.
2013 “The Habitual Decryptors of Desire: Duane Michals, Hervé Guibert, and Michel Foucault,” College Art Association, New York City, February 14–16.
2012 “Readymade Mao: Impersonation and Affective Relations” (co-authored with Yongan Wu), FilmAsia 2012: The Asian Conference on Film and Documentary, Osaka, Japan, November 2–4.
2012 “Queer Tactics: Interviews, Mediations, Remediations,” Cultural Studies Association, University of California, San Diego, March 28–April 1.
2012 “More Life and Opinions of Samuel R. Delany, The Polymath,” DC Queer Studies Symposium: Delany at 70, University of Maryland, April 20.
2012 “Spatial and Sexual Disorientation in the Films of Tsai Ming-liang,” Asian Conference on Arts and Humanities, Osaka, Japan, April 5–8.
2012 “RuPaul’s Drag Race as Meta-Reality Television,” Northeast Modern Language Association, Rochester, NY, March 14–18.
2011 “Ethnographic Documentary and the Cultural Study of Sex Work,” Imagining Culture(s), Rethinking Disciplines. University of Miami, April 1–2.
2010 “Embody Your Oeuvre: Intellectual Profiles and the Philosophical Documentary,” Film and Philosophy: How Films Think, University of Florida, November 5–7.
2010 “‘Chinese Cheers’: Hou Hsiao-hsien and Transnational Homage,” Asian Conference on Arts and Humanities, Osaka, Japan, June 18–21.
2009 “Metahorror: Sequels, ‘The Rules,’ and the Metareferential Turn in Contemporary Horror Cinema,” The Metareferential Turn in Contemporary Arts and Media, University of Graz, Austria, October 1–3.
2009 “Anno’s Camera-Eye: Sexuality, Youth, and Inoculation,” Society for Cinema and Media Studies international conference, Josai International University, Tokyo, Japan, May 23.
2008 “Incorporating the Medical Gaze in Queer and Transgender Life Writing and Video,” Performance Studies international conference Interregnum: In Between States, University of Copenhagen, Denmark, August 20–24.
2008 “Incorporating the Medical Gaze in Queer Life Writing and Video,” Battleground States conference “The Body & Culture,” Bowling Green State University, February 22–23.
2006 “From the Body-as-fetish to the Lovable Body,” 2nd Pictoplasma conference on contemporary character design and art, Berlin, Germany, October 11–14.
2006 “Andy Warhol Up-Tight,” Technologies of Memory in the Arts international conference, Radboud University Nijmegen, The Netherlands, May 19–20.
2006 “The End of the Family Line: Filiation, Affiliation, Betrayal,” Making Friendship: Bonds, Boundaries, Becomings conference, New York University, April 6–8.
2005 “Looking Queer: Glancing, Cruising, Staring,” Los Angeles Queer Studies conference, UCLA/USC, ONE Archives, Los Angeles, CA, November 18–19.
2005 “Unseen Warhol/Seeing Barthes: ‘gay’ writing and photography,” Society for French Studies 46th annual conference, University of Leeds, UK, July 4–6.
2005 “Leaving the Celluloid Closet,” “The Cultural Studies Closet” panel, Northeast Modern Language Association convention, Cambridge, MA, March 31–April 2.
2005 “How Much Does it Cost for Cinema to Tell the Truth of Sex?” Capturing the Truth? Changing Strategies in Documentary, Humboldt University Berlin, February 8–11.
2004 “The Inscription of Michel Foucault,” Life Writing panel “Why Ethics? Why Now?” Modern Language Association convention, Philadelphia, PA, December 27–30.