Coat of Arms
Paris

Paris: City on the Seine

EUH 3957 12398/ IDH 2935 12461

Spring 2006

Dale Clifford
Office 8/2407; Phone 620-1858; email clifford@unf.edu
Office hours:  1:30-3 pm Wednesday, 2-3 pm TR, 4-6:30 pm Thursday
and by appointment


Robert Delaunay,
Eiffel Tower

        Paris holds an important place in the political, social, literary and artistic culture of the past two centuries. It has attracted exiles and expatriates from all over the world for temporary or permanent residence –  and many of them have participated in building the physical as well as the cultural aspects of the city we will visit at spring break.
       In this course we'll take an interdisciplinary look at the history of Paris concentrating on the period since Louis XIV.  The first part of the term will focus on learning the city – its geography, its arts, literature, and culture, its social and political life.  Each class session will also include a segment on Americans in Paris. Sometimes our focus will be on our own plans as Americans in Paris over the break, and for other class sessions student groups will be responsible for assigning readings and leading class discussion of Americans in Paris in the past. 
       In addition to reading, writing about, and discussing assigned materials, students will be responsible for two major projects in the course.  For the trip to Paris, student groups will be assigned a particular district of the city.  Their task will be to learn the district beforehand, and in Paris, to introduce the rest of us to the past and present of that area.  The second project is a more traditional paper.  Topics may tie the student's major or other interests to the Parisian focus of the course.

Goals: Students who successfully complete this course will have learned to interpret the history of Paris in cultural, social, economic, and political context. They will demonstrate knowledge of the past and contemporary city by leading class members on a tour of a specific section of the city, and will demonstrate their ability to research and write about the city in a variety of different ways. In short, students will be able to "read" and to live in Paris - then and there, here and now.

General Education: The Honors section of this course fulfills general education requirements for honors students.  Students who have completed the equivalent of one of the Freshman Core courses should demonstrate substantial achievements in the following areas:
Skills: Students should be able to analyze arguments; assume and defend a position on a given topic; form and support conclusions; read and analyze complex texts; locate, retrieve, and evaluate information; use appropriate software for developing written and graphic materials; write coherent analytical and persuasive papers using effective expression; speak with clarity and organization of thought; address diverse audiences.
Knowledge: Students should demonstrate a general knowledge of the varieties of social, political, and economic organization; a general understanding of human behavior; a knowledge of Western politics and society, including the experience of significant minority groups; a knowledge of formative influences in the recent past; a general knowledge of the methods and traditions of analysis in the humanities.
Values: Students should be able to respond aesthetically to artistic and literary works from several cultures in the past and present; demonstrate an appreciation of the Other to allow an understanding of individuals and groups who differ in significant ways from the Self, such as differences generated by race, gender, class, and culture; should have acquired knowledge and skills necessary for ethical judgment and its application to everyday life, and developed the habit of reflecting on their own values and fulfilling their ethical and civic responsibilities.
The course also fulfils 3000 words of the Gordon Rule intensive writing requirement and is designed both to provide an introduction to critical thinking about the past for non-history majors, and to serve as a foundational course for those students who choose to major or minor in history.

Grading:   Grades will be based on class participation and informal presentations (15%), a brief test on Paris history (10%), a 3-5 page review and presentation on a film in which Paris plays a significant role (10%), an analytical journal of the Paris visit, including response to specific assignments that will be spelled out separately [the journal should be revised for final submission at the end of the course] (20%); a group project planning and conducting a historical tour of one area of Paris, with a brief “guide-pamphlet” explaining the tour (20%); and an 8-10 page research paper (topic chosen in consultation with the instructor (25%). The plus/minus system will be used.

Required Books:
    Alistair Horne, The Seven Ages of Paris (Vintage, 2002)
    Adam Gopnik, Paris to the Moon (Random House, 2000)
    Harvey Levenstein, Seductive Journey: American Tourists in France from Jefferson to the Jazz Age (Chicago, 1998)
     Alan Tillier, Eyewitness Travel Guide to Paris (revised 2005)
    Other readings will be posted to our Blackboard site.

Other books you may find interesting and useful:
     the novels of Balzac, Flaubert, and Zola
    Thad Carhart, The Piano Shop on the Left Bank. Random House
    Janet Flanner, Paris Was Yesterday: 1925-1939. Harvest Books
    Andy Herbach and Michael Dillon, Eating and Drinking in Paris: a Menu Reader and Restaurant Guide. Open Road, 2nd edition, 2004.
    Patrice Higonnet, Paris: Capital of the World. Belknap Press, 2005.
    Colin Jones, Paris: the Biography of a City. Viking, 2005.
    David P. Jordan, Transforming Paris: The Life and Labors of Baron Haussmann. University of Chicago Press
    Andrew Trout, City on the Seine: Paris in the Time of Richelieu and Louis XIV. St. Martin’s Press, 1996
    Jeremy Popkin, A History of Modern France, Prentice-Hall

Paris in film: 
    Each student must choose a film in which Paris plays a significant role, and must write a 3-5 page analytical review of the film.  Groups will make a class presentation on the group of films viewed by group members.  You will have a list of possible films, and we will discuss the assignment before you begin.  Film choices must be approved in advance.



Class Schedule and Assignments:

This class meets only once a week, for close to three hours. Each session will include discussion of assigned reading, some additional material (via short lecture or presentation, which might include film clips or occasionally a whole film, music, art), and a segment that deals with language and living in Paris. Because the classroom experience cannot be recreated, do not miss class except for grave illness.

11 January - Introduction to Paris, and to reading the city as text.  Readings from Mercier, Panorama of Paris  for 25 January will be handed out.

18 January - From the Romans to Louis XIV: read Horne, Introduction, and Age 2: Henri IV.  Americans in Paris: read Gopnik, pp. 1-35.

25 January - From the Sun King to the Revolution. Read Horne, Age 3: Louis XIV, and your group’s assignment from Mercier. Turn in a list of three final paper topics, in priority order. We will schedule individual appointments during the week to discuss the choice.

1 February - Napoleon: read Horne, Age 4.  Americans in Paris: read Levenstein, preface and chs. 1-2.

8 February - Barricades and Boulevards: read Horne, Age 5.  Americans in Paris: read Levenstein, chs. 3-9.

15 February - The Belle Epoque: read Horne, Age 6, ch. 1, and Levenstein, chs. 10-14.

22 February - Paris in war and peace: 1914-1940: read Horne, Age 6, and finish Levenstein.

1 March - Paris Occupied, Liberated ... and more Revolution: read Horne, Age 7.

 8-15 March - Paris as text (words and film).  Come prepared to discuss Adam Gopnik, Paris to the Moon, and to discuss Paris in film.

    17-26 March - spring break trip to Paris


29 March - Contemporary Paris.

5 April - No class: Individual meetings with instructor; working on papers and projects

12-19 April - Presentations to class